Public art can blend both form and function, blurring boundaries between the street object and the outcome people get from their engagement with it.
Making art an everyday experience is integral to some of the best public spaces and cities around the world. The right mix of permanent or temporary installations can reflect identity and create vibrancy in an area.
The artsy bus shelter pictured above (left) offers a playful and engaging option for those seeking transportation. And the water droplet shape – pictured above right – first appears to be a sculpture, but on closer inspection reveals itself to be a water fountain for refilling drink bottles.
The design of the fountain – called the O fountain – is courtesy of Melbourne based ‘O Initiative’, that aims to reduce the number of disposable water bottles purchased by changing the way people drink tap water in public spaces.
The fountain pictured is outside the Noosa Tourist Information Bureau, and is a collaboration between The O initiative, Noosa Shire Council and Unitywater as part of an ongoing commitment to providing water bottle refilling stations to remove reliance on single-use plastic bottles.
Local contemporary indigenous artist Dr. Bianca Beetson was commissioned to design and paint a Noosa essence water theme onto the fountain, to celebrate Noosa’s indigenous heritage.
Bianca notes that: “The pink lines represent the ocean and the connected rivers and waterways around the Noosa region, while also representing my matriarchal bloodline and connection to country. The surrounding colours represent the Noosa landscape, various native flora and fauna representing the colours of the map of Aboriginal Australia.”
Public art elements that weave in points of intrigue in a layered, textured manner can help tell a story about a place and create memorable, comfortable and engaging spaces.
However, the process of coordinating a public art project can be arduous. Other than the standard wall or utility box there is often no ideal existing canvas in the public realm. Custom-created work can bring challenges such as budget, artist briefs and liaising with many stakeholders.
The O fountain is a sculpture that serves a blank canvas for a local artist, and is also a Watermark certified water refilling station.See more examples of collaborations between the O Initiative, local artists, Councils and other place custodians on the O Initiative website and social media.
The O-Initiative water fountain in Noosa, Queensland, Australia.
Human-made materials now weigh more than all life on Earth combined:
All human-made materials – such as steel, concrete, metal, bricks, asphalt and plastic – now outweigh all life on Earth, according to a paper published in Nature.
The researchers say they wanted to provide an objective and rigorous measure of the reality of the balance between humans and nature.
Concrete, a building block of our cities and towns, accounted for the most mass, followed by steel, gravel, brick and asphalt, reports Maddie Stone for National Geographic.
Plastic is also a key player in tipping the scale, reports the Guardian – and by itself is double the weight of all animals combined.
The study shows that the stamp of humanity has been increasing in size rapidly since the beginning of the 20th century, doubling every 20 years.
Over the decades there are rises and dips in human impact, including sharp increases after the switch in the 1950s from bricks to concrete and the use of asphalt for pavements in the 1960s.
We are now at a crossover point, the researchers say – in the year 2020 the amount of human-made mass has now surpassed all global living biomass.
On average, for each person on the globe, human-made mass equal to their bodyweight is now produced every week.
If human production continues at this rate, the weight of our impact will exceed 3 teratonnes by 2040.
The study is being hailed as evidence that Earth is now in the Anthropocene – a proposed geological epoch where human activity is the dominant influence on climate and the environment.
Photo: New York cityscape by Reppihc8, Wikimedia Commons.
Successful products are often followed by copycats. Over the past year we have become aware of an increase in reproductions of the Linea range attempting to create a similar aesthetic at a lower price. This can compromise the overall durability and environmental credentials of projects being delivered, affect ongoing maintenance requirements, and in some instances pose a risk of injury to the public. The design of Linea is deceptively simple while delivering exceptional attention to detail. Details matter not only for beauty, but also for providing durability, and safety, that will last decades. Linea strictly uses the highest quality and sustainable materials, has passed rigorous strength tests, and is designed for longevity, with easily replaceable parts. The product range is the result of hundreds of hours of research and development …
Melissa Gerke, our Communications and Education Specialist, is bringing a fun, interactive and informative presentation about our carbon neutral journey and latest products to customers in cities around Australia and in the US. In 30 minutes (plus Q&A) we will explore materials and finishes, touch and feel samples, and bond with your colleagues over delicious treats. There will also be a mystery prize for a lucky winner (optional). 2024 cities and dates include: Select from three catering options (optional): To book, contact Melissa Gerke mgerke@streetfurniture.com
Street Furniture Australia’s entire product range and manufacturing operation has received carbon neutral certification through Climate Active™. Achieving carbon neutral certification marks a significant milestone in our operation and the culmination of a four year long process of detailed measurement and analysis. Climate Active™ is the only Australian government-backed carbon neutral certification programme for businesses to measure, reduce, and offsets their carbon emissions. It is one of the most rigorous carbon-neutral programs in the world. An approved Emissions Reduction Strategy (ERS) is central to achieving certification through Climate Active. Street Furniture Australia has elected to use SBTi validated science-based targets to ensure their ERS is meaningful and aligns with the 2015 Paris Agreement – to limit global temperature rises to 1.5℃ above pre-industrial levels. For those emissions that can’t be …
Google allowing employees to hold some meetings outdoors: Google has begun holding in-person meetings outdoors on company campuses as it prepares for employees to return to offices next year, according to CNBC. The company said it is trialing socially-distanced meeting formats called “onsite off-sites” as it tries to find ways to hold more employee collaboration amid the pandemic, and to bring aboard new hires. Google was the first major tech company to ask employees to stay home when the pandemic started, and is now experimenting with ways to gather people on campuses slowly and safely. It gave workers the option to work from home until summer of 2021. In September, after finding that most employees wanted to return in a part-time capacity, Google CEO Sundar Pichai said the company would …
Seoul is Planning ‘Wind Path Forests’ to Direct Fresh Air to the CBD: Seoul has announced plans to bring a concept called ‘wind path forests’ to life, to direct clean air into the city, absorb particles and lessen the urban heat island effect. Trees will be placed close together along rivers and roads to create wind paths so clean and cool air generated at night from Gwanaksan Mountain and Bukhansan Mountain can flow into the centre of Seoul. Three kinds of forests will direct and purify air, according to Cities Today. Wind-generating forests, including species such as pine trees and maple trees, will be cultivated so that they direct the fresh air from the forest to flow towards the city. Connecting forests will feature air-purifying plants, such as wild cherry …
Norman Foster on the Pandemic Impact: Though everything currently seems different, in the long term rather than changing anything, Covid-19 will accelerate and magnify trends already in place, the well-known British architect writes for the Guardian. Throughout history the crises of the day have hastened the arrival of the day’s solutions – fireproof buildings, sewage systems, green parks, the automobile, he writes. We should not expect our future to be two-metre distancing – “The last major pandemic of 1918-20 created deserted city centres, face masks, lockdowns and quarantines. But it also heralded the social and cultural revolution of the 1920s with newly built gathering spaces: department stores, cinemas and stadiums. “What might be the equivalent hallmarks of our coming age, after Covid-19?” See the article, The Pandemic will Accelerate the …
