In Profile: Blake Farmar-Bowers

Blake Farmar-Bowers. Photo: Timothy Herbert

Landscape architect Blake Farmar-Bowers. Photo: Timothy Herbert

Street Furniture Australia chats to Blake Farmar-Bowers, landscape architect and Associate at ASPECT Studios in Melbourne.

Tell us about yourself. What led you to pursue landscape architecture?

In searching through the Victorian Tertiary Admissions Centre guide as a high school student, RMIT’s Landscape Architecture course was the only course that clearly stood out. Fortunately for me, intake was via interview so I strove to learn as much as I could about landscape architecture. As a year 12 student I attended ‘The Culture of Landscape Architecture: Edge Too’ Student Conference held in Melbourne in 1992, which became the start of my landscape architectural education. I realised here that landscape architecture was a young, energetic and exciting profession to become a part of.

In hindsight, this career path isn’t such a surprise, as it’s almost a hybrid of my parents’ professions; Dad, being an environmental scientist, who encouraged an appreciation of environmental systems and Mum, a textile designer, who exposed me to design and ‘fabrication’.

What are you excited to be working on at the moment?

I am working on two play spaces at the moment, which whilst being fun is always a challenge. It is interesting to try and make sure that these spaces are lively and engaging to children ranging in age and ability, whilst complying with Australian Standards and the project budget. I enjoy anticipating how children respond to play spaces and am consistently thrilled at how space is appropriated in unexpected ways.

What, or who, inspires you in your work?

I’m inspired by a design challenge. I love searching for the sometimes elusive ‘BIG’ idea, or design concept that fits both the brief and site. Local history is a consistent source of inspiration; otherwise, I draw stimulus from a range of sources based on each concept. One playground is inspired by The Cranbourne Meteorites, which, while being a literal translation, has resulted in a ‘landing’ of play equipment complete with impact craters. For another playground, it’s children’s drawings that provide motivation; I’m fascinated by the uninhibited and playful ways kids express themselves.

What’s one of the most unusual projects you’ve been involved in at ASPECT Studios?

The most unusual project I have worked on was designing a mobility scooter enclosure at a retirement home. This is one of the more obscure projects, being a precise intervention within the aforementioned site; however, the spread of work within the office is very diverse and the next day you may be thinking at an urban design scale.

Blake-Farmar-Bowers

Blake Farmar-Bowers at ASPECT Studios. Photo: Timothy Herbert

What are your strengths as a landscape architect?

The ideation phase of design is one of my strengths as I feel I am able to visualise the big picture easily and generate multiple ideas quickly.

Once we have a specific direction, I become very focused on how to translate those ideas to space and form, down to the finest detailing of my projects.

Working with other people is a part of the job that I really enjoy, and I am fortunate to practise with a talented team where our strengths really complement each other. I understand that good design is a collaborative effort and requires input and expertise from a range of people, organisations and industries, which results in successful and unexpected outcomes.

How do you think street furniture plays a role in urban design?

Street furniture is a critical part of the palette in public realm design; it can affect the way users experience and occupy our public spaces.

ASPECT Studios recently designed Park Lane, Frankston, as part of the Frankston Principal Pedestrian Network Demonstration Project, in which a range of furniture, benches, seats with backs and decks provide a variety of seating opportunities whilst being mindful of its context as a laneway thoroughfare. This furniture now encourages occupation for both individuals and groups within a previously uncomfortable public space.

Street furniture can create an identity or brand within a place, precinct or municipality. We place emphasis on creating a family of furniture that is coherent and explore where it’s appropriate to apply a standard palette or develop custom or bespoke elements.

Frankston project, Aspect Studios

Park Lane, Frankston, Victoria. Photo: Andrew Lloyd

The City of Melbourne is committed to a range of sustainable living initiatives, including making the city carbon neutral by 2020. How do you see your role in supporting/encouraging such initiatives?

I think Landscape Architects are well placed to be leaders and advocates of these initiatives due to the profession’s consciousness of time and understanding of environmental systems.

I think our role is to propose suitable and appropriate design outcomes that challenge and interrogate the brief to ensure they are sustainable and fitting within their context. We often try to step back before we step forward. As such, our design work strives to be lasting, enduring and honest.  

We are also being more attentive to where material is sourced, how it’s fabricated and what its ongoing maintenance is to deliver more sustainable projects.

You lectured at the School of Landscape Architecture, RMIT University, from 2001–09. What are some of the challenges facing new graduates today?

The biggest challenge is finding job opportunities; more courses and larger student intakes mean there are lots of graduates seeking employment.

I think it’s a fair assumption to say that there will always be a big jump between what is learnt at university to what is required as a practicing landscape architect. I graduated knowing I could confidently design but had little experience of detailing and construction, and had to adapt quickly from what was an analogue design education to a digital workplace. I volunteered at a small practice to bridge the chasm of feeling unemployable and learnt to draft and detail. Volunteering enabled that organisation to see my potential, which led to part-time then full-time employment.

Blake Farmar-Bowers at ASPECT Studios

Blake Farmar-Bowers. Photo: Timothy Herbert

make an enquiry

Opening hours are from Monday to Friday, 9am to 5pm.

enquire now

recent news

Why choose the original Linea over reproductions?

Successful products are often followed by copycats. Over the past year we have become aware of an increase in reproductions of the Linea range attempting to create a similar aesthetic at a lower price. This can compromise the overall durability and environmental credentials of projects being delivered, affect ongoing maintenance requirements, and in some instances pose a risk of injury to the public. The design of Linea is deceptively simple while delivering exceptional attention to detail. Details matter not only for beauty, but also for providing durability, and safety, that will last decades. Linea strictly uses the highest quality and sustainable materials, has passed rigorous strength tests, and is designed for longevity, with easily replaceable parts. The product range is the result of hundreds of hours of research and development …

  • 26 apr 2024
read more

Street Furniture Australia is now 100% Carbon Neutral

Street Furniture Australia’s entire product range and manufacturing operation has received carbon neutral certification through Climate Active™. Achieving carbon neutral certification marks a significant milestone in our operation and the culmination of a four year long process of detailed measurement and analysis. Climate Active™ is the only Australian government-backed carbon neutral certification programme for businesses to measure, reduce, and offsets their carbon emissions. It is one of the most rigorous carbon-neutral programs in the world. An approved Emissions Reduction Strategy (ERS) is central to achieving certification through Climate Active. Street Furniture Australia has elected to use SBTi validated science-based targets to ensure their ERS is meaningful and aligns with the 2015 Paris Agreement – to limit global temperature rises to 1.5℃ above pre-industrial levels. For those emissions that can’t be …

  • 20 jun 2024
read more

Book a 30-min Climate Action Talk

Our Presentation Specialists bring a fun, interactive and informative workshop about our carbon neutral journey and latest products to your office. In 30 minutes (plus Q&A) you will explore materials and finishes, touch and feel samples, and bond with your colleagues over delicious treats in the comfort of your office. There will also be a mystery prize for a lucky winner (optional). ‘The presentation content was informative, engaging, interactive and relevant. Genuinely one of the better supplier workshops! It was efficient yet insightful. The interactive nature of it enhanced engagement with the team,’ Sam Westlake, Senior Associate, Hassell, Sydney. ‘Possibly our favourite product presentation to date! Engaging, great content and appreciated the physical samples and prototypes,’ Alexa Ongoco, Senior Landscape Architect, TCL, Brisbane. ‘Thorough presentation with actual product to see and …

  • 19 apr 2024
read more

related news

In Profile: Claire Broun

Well travelled: Claire Broun, senior landscape architect with JMD Design in Sydney, takes StreetChat through designing for Copenhagen and Sydney. Tell us about yourself. What drew you to landscape architecture? My father is a fifth generation wheat farmer and my mother an artist. I grew up in an old homestead on a property in Western Australia’s wheatbelt. A flourishing garden surrounds the verandahs where, as a child, I would often forage for plants to dissect and draw. I realise now, looking back, that these environments, both within and beyond the garden fence, are fundamental to who I am today. I showed talent as an artist throughout high school and was enthusiastic about continuing my interest with studies at university. This, combined with a developing interest in the land, lead me to enrolling …

  • 30 nov 2015
read more

In Profile: Nathalie Ward

Nathalie Ward, director of Brisbane’s Lat27, shares with StreetChat her love of the craft, working locally and abroad, and creating a new home for the Ekka. Tell us about yourself. Why did you pursue landscape architecture? Four colleagues and I established Lat27 five years ago, looking to create a practice focused on contextually based design; hence our name. Over the past 20-plus years I have lived and worked in the UK, Hong Kong and Australia and am passionate about the role that design can play in revealing the story of a place and in creating places that are environmentally responsible and inspire people. Landscape architecture is deeply ingrained in my family. My great-grandfather and grandfather were both garden designers and artists, my father was a landscape architect, as is my brother. My earliest memories include nature walks …

  • 25 oct 2015
read more

Working with Charles and Ray Eames

SPECIAL FEATURE: Australian architect Darrel Conybeare joined the Eames office in Venice, California, in 1967, as a young graduate of the Architecture and Civic Design Masters program at the University of Pennsylvania. The next three years were beyond his greatest expectations … The design approach at Street Furniture Australia has been influenced by the Eames office, where Darrel Conybeare (shown), SFA co-director, worked for a number of years. I was amazed that I had won the job. In 1967, American architect Denise Scott Brown introduced me to Ray and Charles Eames after I had moved to California. My interview took place at 901 Washington Boulevard, Venice, California, the design home of their extraordinary practice. Ray and Charles described the nature of the job, and I explained my purpose in coming to America to …

  • 14 sep 2015
read more