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An Interview with our Founding Directors
Image: Classic Plaza Seat, first designed in 1974.
Darrel Conybeare – Founding Director
Can you tell us a bit about your background?
I graduated in architecture with first Class Honours and the University Medal at the University of Sydney in 1962. I then went on to gain Masters degrees in Architecture and City Planning in the Civic Design Program at the University of Pennsylvania.
I’ve worked in American architectural practices Wallace McHarg, Roberts & Todd, a local government planning department as Marin County Urban Designer and in the office of Ray & Charles Eames as the Project Design Director of the National Fisheries Centre and in the Australian architectural practices McConnel Smith & Johnson, Collard Clarke & Jackson, Clarke Gazzard, Urban Systems Corporation before jointly established Planning Workshop Pty Ltd in 1971 and practiced as an architect and urban designer for 10 years.
I established Conybeare Morrison (CM+) in 1980 with Bill Morrison whose career closely paralleled mine. In addition, I completed Action Plans for the Council of the City of Sydney including Martin Place Extension, Kings Cross Precinct and devised Streetscape Improvement Progam, and was also involved in establishing similar planning and design programmes in Melbourne including Flinders Walk, Banana Alley and reactivation of the little laneways.
How and when did you get into the outdoor furniture business?
In the lead up to the 1988 Bicentenary Celebrations, the urban design arm of the Conybeare Morrison (CM+) architectural practice was commissioned to assist the NSW Government Architect’s Office to undertake the design of the public waterfront environment of Circular Quay and Macquarie Street/Queens Square.
The sourcing of high quality locally designed and produced street furniture proved an impossible task. Only imported products were available at that time, CM+ suggested the possible use of a ‘Plaza Seat‘ that the firm had successfully designed and used for the City Walk project in Canberra City Centre in 1979.
The Premier, Neville Wran, and the Assistant Government Architect, Andrew Andersons, inspected a prototype that Conybeare Morrison made and installed for testing in the Royal Botanic Gardens, Sydney, Macquarie Street frontage. This seat was recommended for use on these major projects and subsequently manufactured under licence.
In 1986 Street Furniture Australia Pty Ltd was founded and established in the second floor of a disused Taubman’s paint factory in St Peters, Sydney. Its initial offering was the Plaza seat soon followed by a bench, litter bin, bollard and drinking fountain to complete an integrated family of public realm furniture with its own Australian design integrity.
Inspiration for the form of the Plaza Seat has its genesis in the slatted seats of Sydney’s toast-rack trams that both I and Bill regularly rode as we grew up in suburban Sydney.
Can you tell us a bit about the company?
Street Furniture Australia is a boutique design and production house employing a specialist team of salespeople, designers, prototype engineers, project managers and production workers. It is a two family business.
Street Furniture has been awarded a number of professional design awards in recognition of the contribution made by its products collection. These include:
- The Fountain Head – Royal Society of Arts, 1998
- Street Furniture (Shared) – Lloyd Rees Award for Outstanding Urban Design RAIA (NSW Chapter), 1988
- Queen Victoria Bus Shelters – Merit Award in Urban Design RAIA (NSW Chapter), 1987
What has been your career highlight to date?
To be part of the team that has successfully established a high quality collection of public space furniture options under a brand that can now stand its ground in any urban setting in the world. Street Furniture products are designed to be mass produced, affordable, comfortable and satisfying to all users.
The company’s mission is to continue to refine its existing range and its identity, extending the brand’s unique offering into other untapped markets.
What does the company have planned?
Street Furniture supported the establishment of the town of Bundanoon as Australia’s first ‘Bottled Water Free Town’. It maintains its sponsorship of ‘Go Tap,’ Jon Dee’s Do Something initiative to reduce the impact of bottle water receptacles on the environment. Street Furniture’s filtered watered stations are being installed in remote indigenous communities, at several universities and other urban precincts throughout Australia.
Bill Morrison – Founding Director
Can you tell us a bit about your background?
I graduated in architecture in 1965 from the University of Sydney. At that time little consideration was given to the public domain, and as fresh young graduates we set out to make our mark in the built world.
My early years were spent as a Commonwealth Cadet, bonded to the Commonwealth Department of Works. When I finally travelled, I headed towards London where I worked for two years with Sir William Holford and Partners, a conservative British practice which had been providing planning advice in Canberra. My next working experience was with quite a different firm, an energetic young group known as the Farrell Grimshaw Partnership.
On return to Australia in 1974, I joined Planning Workshop to work with Darrel and together developed the architectural arm of this multi-disciplinary practice. In 1980 we established Conybeare Morrison and Partners (now practising as Conybeare Morrison International or CM+), in 1986 Street Furniture Australia and in 1990 together with Oi Choong, Context Landscape Design.
How did you get into the street furniture business?
We were engaged in 1978 to undertake a project in Canberra’s Civic involving the closure and paving of streets to become a pedestrian mall. It was to be called City Walk. At that time there were no furniture products available which we considered suitable for inclusion so we set about designing a seat which we branded the ‘CM Plaza’. It was to become the flagship of our venture, Street Furniture Australia, when we were again recommending appropriate ‘Sydney’ style furniture to the Public Works Department and Premier Wran for incorporation in Macquarie Street and Circular Quay Bicentennial Improvement Programmes. So we stuck our necks out, made a sample in one of the staff’s backyards for the Premier to sit on, and Street Furniture Australia was born.
What has been your career highlight to date?
Most definitely being at the forefront of urban design and public area improvements. During the early years of our professional practice people would ask, ‘What is urban design?’ Now it is a commonly accepted term and is practised in addition to architects, by landscape architects, planners and engineers, with varying degrees of success.
Together with this is the fact that in some way we influenced a whole industry through our beliefs about comfort and elegance in the public domain. But we still enjoy leadership in the field, which is recognised by the significant number of prestigious national and international project awards and our sales record across many countries and cultures.
What, in your opinion, has contributed to the success of Street Furniture?
We have always attempted to be ahead of the field by being innovative and creative with new products, while always maintaining the highest quality and providing excellent customer service.
But most importantly we have built, over time, a highly skilled and dedicated team who are taking the business to new levels with an incredible enthusiasm for the product and our urban design philosophy.
What does Street Furniture have planned?
We are constantly seeking to introduce new technologies and better ways of doing things. We have a large R&D unit and have no problem with developing designs. In fact, one of our problems, being designers ourselves, is that we are constantly bringing forward new ideas despite the fact we could possibly have up to 100 new designs in the pipeline at any one time.
We feel pleased to have made a contribution to the design and quality of the public domain and we feel Street Furniture Australia is well established to go on to bigger and better things.
An extract from Outdoor Design Source – People Profile.
Street Furniture Australia is donating $40,000 worth of furniture from breakout spaces from the 2022 Festival of Landscape Architecture: COUNTRY to The Murri School, an Aboriginal and Islander Independent Community School in Brisbane. The collection of Linea Seats, Cubes, Curved Benches, Sun Lounges and Picnic Settings includes a pair painted by artist Casey Coolwell-Fisher, a Quandamooka, Nunukul woman of Minjerribah (North Stradbroke Island, Queensland) – commissioned by Street Furniture Australia and Blaklash Creative. Director of Blaklash Creative and member of the Festival Creative Directorate Troy Casey says, “A huge part of the festival was about how we can ensure that community gets something from it. We spent two days sharing our culture, our experiences, and the responsibility to positive impact. We can’t really do that without giving back to mob, …
In rapidly urbanising Seoul, the next battle is saving green spaces: “Korea is a country that does not value greenery,” professor of landscape architecture at Pusan National University, Hong Suk Hwan, told Bloomberg CityLab. It “only acknowledges the value of property.” Samgmi Cha writes about South Korean local, 34-year-old Baik SooHye inspiring the shift of devaluing green spaces in South Korea to saving these spaces. SooHye’s ‘Plant Kindergarten’ project encourages the protection of hundreds of plants that are often destroyed at construction sites across Seoul. Cha meets SooHye in her outdoor garden in western Seoul with the many plant species that she’s saved from these sites. The rescued plants are ‘adopted’ out to others who are also passionate about green spaces in Korea. SooHye says, “I see ‘Plant Kindergarten’ as my …
The Festival of Landscape Architecture: This Public Life brought together thinkers and practitioners in Melbourne to interrogate challenges of climate, culture, design and environment for landscape architects. The Australian Institute of Landscape Architecture (AILA) invited Street Furniture Australia to host an inaugural AILA Fellows’ Lunch. An opportunity to reconnect and welcome new Fellows, the event included the rising stars of landscape architecture, state representatives of AILA Fresh. Held at Federation Square’s ZINC overlooking the Yarra River, an informal Q&A was held through the clatter of enthusiastic diners. Incoming AILA National Councillor Malcolm Snow FAILA introduced June Boxsell of Street Furniture Australia and co-host Outdoor Design Source’s Emil Montibeler to kick off proceedings. Darrel Conybeare and Bill Morrison, founders and directors of Conybeare Morrison International and Street Furniture Australia, and Darren …
SPECIAL FEATURE: Australian architect Darrel Conybeare joined the Eames office in Venice, California, in 1967, as a young graduate of the Architecture and Civic Design Masters program at the University of Pennsylvania. The next three years were beyond his greatest expectations … The design approach at Street Furniture Australia has been influenced by the Eames office, where Darrel Conybeare (shown), SFA co-director, worked for a number of years. I was amazed that I had won the job. In 1967, American architect Denise Scott Brown introduced me to Ray and Charles Eames after I had moved to California. My interview took place at 901 Washington Boulevard, Venice, California, the design home of their extraordinary practice. Ray and Charles described the nature of the job, and I explained my purpose in coming to America to …
Few designers have made such an indelible mark on Sydney’s urban spaces, infrastructure and architecture as Darrel Conybeare and Bill Morrison. Together, these two have produced innovations so pervasive through Sydney that they have become part of the ‘furniture’ – yet their significance has largely gone unrecognised. From Circular Quay to Bondi Beach, Darling Harbour and Kings Cross, Conybeare and Morrison’s design expertise has shaped some of Sydney’s most prominent public spaces and enriched the lives of its communities. Here is the untold story of how Conybeare and Morrison – directors and founders of Street Furniture Australia – influenced many of Sydney’s most iconic locations. Read the full article, from Outdoor Design Source.