Public art and its economic value: Public art not only enlivens urban spaces, supports local artists and sparks conversation, it’s a relatively cheap way for cities to attract both visitors and money. Events such as Vivid Sydney and MONA in Hobart have proven to have a significant impact on the local economy, in terms of the increased revenue generated from more visitors, better productivity and free publicity that unique cultural events create. As Meg Bartholomew reports in the Guardian, city planners and property developers are taking notice of the potential that lies in an ‘experience-based economy’. Art that makes people feel good makes them linger – and spend. Aside from the economic benefits, public art helps to define a city’s identity (hello, Melbourne), enhances a city’s reputation, and can even …
In Profile: Sarah Bendeich
As Infrastructure Planner for the City of Hobart, Sarah Bendeich is a landscape architect helping to shape the city’s future. She shares her work with StreetChat.
The story behind this photo?
I’m sitting on a precast concrete bench which was part of a streetscape upgrade in the Hobart Waterfront in Morrison Street – I was the project landscape architect.
Morrison Street is being rolled out incrementally and will eventually provide a generous shared promenade linking one side of the Intercity Cycleway with Battery Point.
This photo is from stage one of that project.
The bench appears to hover on light at night time – it’s lit underneath. It’s five metres long and part of its function is as a vehicular barrier – we closed through traffic in Post Street as part of the pedestrian amenity improvements.
Please, tell us about yourself. What drew you to landscape architecture?
I’m really interested in the connection that humans have to places.
I enjoyed a really normal Australian suburban childhood – although I enjoyed more freedom and adventure than my own kids do. Camping at the coast in summer, winter weekends horse riding with friends and riding bikes through the streets, building cubbies in vacant lots after school – until the street lights came on.
These experiences cultivated a love of being outside and fond memories of specific places which I still carry with me.
Even my grandparents’ post-war inner Melbourne backyard – concrete, a hills-hoist, a workshop and a massive lemon tree, is a special place of memory.
I grew into an idealistic teenager who wanted to save the world but had no idea where to start. Ultimately my interests in environmental and social systems, geography, theory and design have come together in landscape architecture.
More recently I’ve studied environmental planning which led me to local government.
Landscape architects are in a good position to be able to influence the livability and sustainability of our cities. Healthy communities are supported by walkable, connected and well-designed places.
I think ultimately it’s the overlapping between natural systems, urban infrastructure, communities and human wellbeing that offers great scope for positive change.
As AILA Tasmania’s President, where do you see the chapter heading?
We are such a tiny group compared with the other states, however we have a really energised membership at the moment.
Engaging the local members, while connecting with the broader built environment allied professional community is important in such a small place where ultimately, we need all the collaborative opportunities we can get.
So in many of our activities – such as the long-running City Talks – we include architects, planners, engineers, politicians and the general public.
Where do I see the chapter heading? Right now, literally for the stars.
Something we’re excited about is an advocacy initiative, in collaboration with some other interested folk, to raise awareness and protect Tasmania’s dark night skies.
The night sky and all of those stars is a type of wilderness that needs protection if we are to maintain it for future generations.
Urban light pollution is a rapidly emerging problem in cities around the world, and losing the darkness is not just an aesthetic loss.
There is now evidence of significant impacts of cool bright light on human and ecosystem health. We are blessed with stunning night skies in Tasmania – people come here to view the stars – and we have the potential to protect and celebrate that.
Can you tell us about your role as Infrastructure Planner with the City of Hobart?
I’ve recently started a new role within City Infrastructure Division, planning and managing a program of local retail precinct streetscape projects to be delivered over the next six years.
These projects will improve the livability of Hobart’s suburbs and the vibrancy of local main streets, providing welcoming spaces with street trees, art and furniture, encouraging people to walk to the local shops, meet friends and do their shopping.
The aim is to make these streets more people focused, and less car-oriented.
While the projects have been initiated and prioritised already, in many ways we’re right at the beginning, scoping the projects, engaging stakeholders and getting the project teams together. I won’t be designing these projects, however I’m excited to be working at this earlier stage in the process.
What is your vision for Hobart?
Hobart’s landscape is breathtakingly beautiful. The city sits between Mount Wellington and the River Derwent in the most lovely way.
I’m a Melbourne girl originally, I’ve been here for 13 years and I still get a little jolt of joy when I head out to start my day. I step out the front door and I can see the bush up on the foothills, the air is so clean, and then I ride my bike down the hill to the office in Sullivans Cove – and I’m there in less than 10 minutes.
But looking beyond the obvious treasures of this city, my vision for Hobart is no different really than my vision for all of Australia’s cities – it starts with a dense urban core with housing options for people of all ages, so that people can live close to employment and services.
Creative re-use of our wonderful heritage buildings, walkable streets and spaces in between buildings that are full of life, trees and green spaces.
Good public transport options, a network of bike infrastructure so that active commuting is a real option for many people.
A sustainable economy and a resilient, connected, creative community.
What are you excited to be working on with your team right now?
The retail precincts projects are going to keep me busy for a number of years, however another project that I’m really excited about is an interpretation plan and new interpretation signage for Sullivans Cove.
The current signs were installed in 1988 for the bicentenary, so they are well and truly due for a refresh. The Cove is increasingly a gateway to the city for visitors arriving by cruise ship, and it is also the city’s main events precinct – so there is a big audience to reach.
And of course Hobart is rich with history, so there are many stories to tell. I am particularly excited that Aboriginal stories will be integrated into this work – as these were absent from the bicentennial panels.
In Profile is a Q&A series featuring Australian influencers of the public realm.
Interviewees are players in the public sphere with compelling stories, not always landscape architects or affiliated with SFA.
To nominate a subject, please contact the editor via firstname.lastname@example.org
Konstantin Dimopoulos is New Zealand–raised artist who has worked extensively in Melbourne, Australia and is currently based in Tennessee in the US. His successful environmental art installation The Blue Trees has been re-created around the world, including at Sydney’s Pirrama Park in 2016. StreetChat talks to him about activist art in urban spaces. The Blue Trees has been installed multiple times around the world. What have you observed from presenting the work to different cultures? I think that people around the world are basically the same. They all realise the huge issue that we have with global warming and the importance of rainforests and old growth forests to our survival as a species. Purveyors of water, consumers of carbon, treasure-houses of species – the world’s forests are ecological miracles. People want …
StreetChat is giving away one stylish Mixte bicycle from Papillionaire, valued at $599, to a lucky new subscriber. Choose your frame colour from navy, vermillion, olive, birdie, cream, white or black: Then get ready to cruise through parks and streetscapes on a classic European design. Simply sign up to StreetChat before October 31, 2017 for your chance to win. Terms and Conditions: Competition is open to new subscribers only. Winner will be announced via StreetChat in November. Street Furniture Australia will deliver directly to the winner. Already receiving StreetChat? Send to a friend! Share via Twitter: Sign up to StreetChat for a chance to win a Papillionaire bicycle: * indicates required Company Email * First Name * Last Name * Company * Phone Region * —ACTNSWNTQLDSATASVICWAI am not in Australia Preferred Bicycle …
International phenomenon Pokémon Go has set the spotlight on Augmented Reality (AR) and its potential to transform our spaces and our lives. If Keiichi Matsuda’s video AR simulation Hyper-Reality hasn’t yet crossed your newsfeed, it’s worth a look. For six unnerving kaleidoscopic minutes Matsuda explores how we might see the world in the not-so-distant future. With Pokémon Go players exploring the virtual world in our cities, parks and public spaces, the game is a fascinating case study for the unexpected impacts of AR. StreetChat asks a landscape architect, architect, academic, futurist and millenial to explore what this technology could mean for our cities. Below are excerpts from their full responses, which you can find in our White Paper: Pokémon Go, Augmented Reality and the Future of Our Cities. Download your free White Paper. Dick Nugent, Architect Associate Director at Conybeare Morrison “Pokémon Go …
President of AILA in Western Australia, and Coordinator of the Recreation and Landscape Unit with the WA Department of Parks and Wildlife, Nathan Greenhill shares his work with StreetChat. Please, tell us about yourself. What drew you to landscape architecture? Being a landscape architect and working at Parks and Wildlife is a series of lucky moments in time. At high school I was interested in geography, biology and technical drawing. I attempted art but was never that great at it, but always loved to make things at home and try to problem solve. I was on my way to studying environmental science when a good friend’s brother started landscape architecture and suggested I look into it. With a bit more research on the degree and the profession I decided to give it …
Julia Watson, Australian born and now living and working in New York, has shifted her landscape architecture practice to conserving global indigenous and traditional communities, their culture and environments. What drew you to landscape architecture? I was a kid of the eighties, when the conservation movement found its feet and was prolifically impacted by climate change and environmental catastrophes like the Exxon Valdez oil spill. I felt this overwhelming responsibility towards the earth. I remember visiting Yosemite National Park and discovering the beauty of landscape, having moments with wild animals and becoming fascinated by native American culture. I discovered the connection between the natural and spiritual world early and carry this theme through my work today. When did this expand to your work in conservation? Conservation is its traditional sense isn’t …